I'm currently testing the following workflow: 1) set project color managementy to Davinci YRGB Color managed, and 2) output to Rec.

I had mixed results trying to use LUTs, so I switched to Resolve's color management (greatly enhanced in version 17 and later). the initial intake of Log footage and apply additional LUTs with looks.The use case: Mavic 3 Cine, recording in ProRes D-Log, Davinci Resolve Studio 17.4.3. Have a look at this great templates for DaVinci Resolve that. Both Windows and Mac users can benefit from Cinema Tones LUTs templates. It is a simple templates that may be used by anyone. DISCOVERING Canon C-Log 3 & HOW I COLOR GRADE IT - YouTube 0:00 / 9:32 Intro DISCOVERING Canon C-Log 3 & HOW I COLOR GRADE IT Bryan Adam Castillo 109K.DaVinci Resolve Vegas Pro Final Cut Pro X Supported Camera Color Spaces BT.709 (standard HD video) Arri Alexa Log C Canon EOS Neutral Canon Log 1-3 Canon Wide DR gamma DJI D-Log, D-Gamut Fujifilm F-Log GoPro Protune JVC J-Log1 LG-Cine Log Panasonic GH2 Standard Panasonic GH4 Cinelike D Panasonic GH4 V-Log L Panasonic GH5 Cinelike D*This templates support on DaVinci Resolve software, a grand total of 3 sales, these templates were developed by Playground_Studio and videohive id is 42582289.

Davinci resolve 18.1 3